To Be or Not To Be - Hamlet
Kenneth Branagh performs Hamlet's most famous soliloquy, contemplating existence, death, and the nature of suffering.
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Browse interactivelyKenneth Branagh performs Hamlet's most famous soliloquy, contemplating existence, death, and the nature of suffering.
Hamlet's meditation on humanity's nobility and his own melancholy. 'What a piece of work is a man, how noble in reason...'
Ian McKellen delivers Macbeth's nihilistic reflection on life as 'a tale told by an idiot, full of sound and fury, signifying nothing.'
Laurence Olivier's iconic opening monologue as the scheming Richard III plots his rise to power.
Portia's eloquent speech on mercy: 'It droppeth as the gentle rain from heaven upon the place beneath.'
Jaques' famous meditation on the seven ages of man, from 'mewling and puking' infant to 'second childishness.'
Othello's heartbreaking soliloquy before killing Desdemona, contemplating the irreversibility of death.
Kenneth Branagh's stirring delivery of Henry's speech before Agincourt: 'We few, we happy few, we band of brothers.'
Mark Antony's masterful funeral oration that turns the crowd against Caesar's assassins through irony and emotion.
Christopher Walken reads Poe's haunting poem of loss and madness. 'Quoth the Raven, Nevermore.'
Robert Frost himself reads his most famous poem about choices and their consequences.
Dylan Thomas reads his villanelle urging resistance against death. 'Rage, rage against the dying of the light.'
Ginsberg performs his landmark Beat poem: 'I saw the best minds of my generation destroyed by madness.'
Maya Angelou performs her defiant anthem of resilience and self-affirmation.
Bryan Cranston performs Shelley's sonnet on the impermanence of power: 'Look on my works, ye Mighty, and despair!'
Benedict Cumberbatch performs Carroll's nonsense masterpiece: 'Twas brillig, and the slithy toves did gyre and gimble in the wabe.'
T.S. Eliot reads excerpts from his modernist masterpiece: 'April is the cruellest month.'
Robert Frost reads his meditation on duty and mortality: 'But I have promises to keep, and miles to go before I sleep.'
A powerful reading of Donne's Holy Sonnet defying death: 'Death, thou shalt die.'
Blake's visionary poem questioning creation: 'What immortal hand or eye could frame thy fearful symmetry?'
Coleridge's opium-dream vision of Xanadu: 'In Xanadu did Kubla Khan a stately pleasure-dome decree.'
Keats' meditation on mortality and the eternal song of the nightingale.
Wordsworth's beloved poem on the joy of nature: 'A host of golden daffodils.'
Poe's final poem, a haunting tale of love beyond death: 'In a kingdom by the sea.'
Whitman's celebration of self and democracy: 'I celebrate myself, and sing myself.'
Dickinson's serene personification of death as a gentleman caller.
Hughes' powerful question about deferred dreams: 'Does it dry up like a raisin in the sun?'
Hughes reads his meditation on African American heritage: 'I've known rivers ancient as the world.'
A dramatic reading of Jackson's shocking story about a small town's annual ritual. One of the most famous short stories ever written.
James Mason reads Poe's tale of guilt and madness: 'It is impossible to say how first the idea entered my brain.'
O. Henry's beloved tale of sacrificial love between a young couple at Christmas.
Hemingway's masterpiece of subtext: a couple's conversation at a Spanish train station.
A woman's descent into madness, confined to a room with yellow wallpaper. A landmark feminist text.
Rumi's beloved poem on welcoming all emotions: 'This being human is a guest house.'
Tagore's prayer for India's freedom: 'Into that heaven of freedom, my Father, let my country awake.'
Achebe's meditation on love existing even in the hearts of evil men.
Ian McKellen as Lear rages against the storm and his ungrateful daughters.
Prospero's meditation on the insubstantial nature of life: 'We are such stuff as dreams are made on.'
Romeo's famous balcony speech: 'But soft, what light through yonder window breaks? It is the east, and Juliet is the sun.'